Here is a unique example of the interesting pieces that visit Creative Framing every day. This highly detailed ink drawing of a tree was rendered delicately on a rolled up scroll of paper. Our client was open to exploring more options than just a simple black frame and white mat. We looked at several options but when the weathered silver beaded frame was pulled from the design wall, we immediately knew we had a clear winner. The tone of the weathered patina really complimented the tone of the drawing. The bead pattern picked up so nicely on the leaves, too!
This close up shows you the fine hatching and line work that went into creating this wonderful drawing. By floating it on a black background, we are really able to see the raw edge of the paper and also create a high contrast with which to view the line work. We also decided to include risers to prevent crushing the paper down. This also allows the drawing to lift slightly and have a bit more "dimensionality". Lastly, we chose Museum Glass which allows us to see all the fine detail without having to compete with glare.
Just in time for the Fall Semester! One of our customers brought in a lovely jacket letter and certificate to frame and it came out stunning.
The antiqued gold fillet that lined the inside of the acid free mat really complimented the old engraving style border of the certificate.
This was framed in Museum Glass so that you can see the rich texture of the school letter in great detail. The glass will also protect the letter from fading which is important because both textiles and certain red pigments are notoriously fugitive.
Everything was tied together with this rustic textured gold frame. It has a soft luster in most lights that adds accent to the composition without dominating the scene.
Now, her award and letter are preserved for years to come in a lovely elegant presentation!
We had the recent opportunity to preserve this beautiful piece of Native American History. This doll was very old yet still had it's intricate bead work and delicate leather fringe intact. It may even have been stuffed with horse hair. Though in good condition, it was fragile due to old age and being open to the elements.
We set about the delicate task of sew mounting the doll onto an acid free backing.
Unlike regular fabric, leather is a solid material and stitches cannot slip through the grain undetected. We were able to mount the doll through existing stitch holes in the leather to retain the integrity of the piece.
The customer chose a nice mat to frame out the doll visually but being a piece with deep dimensions, it was decided that we should use matching shadowbox risers to give the piece an overall open feel. In the photo above, it's almost like the doll is patiently waiting to be finished in their new home.
Now, it is finished and resting inside a maple shadowbox frame with museum glass. This beautiful piece of history can be admired by many instead of being stowed away in the dark.
This spring, we have had the pleasure of working with The Fralin Museum of Art at the University of Virginia on a very special Project. Their current exhibition, "Casting Shadows: Selections for the Permanent Collection featuring the FUNd", features works from a variety of artists and "explores the metaphorical "shadows" of the tragedies, ideologies, and controversies of the past that still influence contemporary societies across the globe."
For more info on this exhibition: http://www.virginia.edu/artmuseum/exhibition/
One of the works in this exhibition is by artist Daniel Reeves. We were pleased to have Mr. Reeves work arrive in our design studio and later in our workshop. A very large piece of artwork, the triptych measured over 8’ long, making it one of the biggest projects we’ve seen this year.
This triptych arrived to us, mounted on foamcore, which created a bit of a mounting challenge. Standard hinges would not be sufficient to hold the the weight of each of the panels, so we began brainstorming for a mounting solution that would be both supportive and archival.
After much consideration with the standard materials in our own workshop, we decided that a visit to our local hardware store was in order. We knew vaguely what we were looking for, but hadn’t laid eyes on it. That is, until we found this hardware! These allowed for the photographs to be supported without needing to attach anything to them. Just what we needed!
Given the size of this project, the frame would need extra support. The long and narrow size of the frame could lend to bowing sides…which would then lead to the plexiglass popping right out of the front of the frame. No way! To keep that from happening, we built a strainer support that fit into the back of the frame. With added cross-bracing, this provided structure that the frame lacked on it’s own.
So, how do you hang something this large? Screw eyes or D-rings and wire weren’t going to cut it. The weight would need to be distributed more evenly than standard hanging equipment could provide. We chose to attach a “Z-bar” One strip is screwed into the back of the frame while another, identical strip, is screwed to the wall where it hangs. Screws occur every 6 inches or so, which provides far more support than two D-rings ever could.
We are so pleased with the completed project.
The design was simple and really allows the artwork to shine.
Be sure to stop by The Fralin to see it this summer!
A client recently brought this wonderful vintage postcard of the UVA observatory for framing. They picked a really charming presentation in the following:
The postcard was floated on a slate blue/gray mat and the mat on top featured a line that was broken by a dusting of stars. Dots of silver allow the little stars to twinkle in just the right light.
A lovely frame from Bella Moulding encased the whole under glass. This frame really spoke to the piece! It's a black wooden lacquer that has silver filling the gaps in the the wood grain. The presentation is that of soft twilight with soft blacks, dusty dark blue, and silver twinkling quietly around the observatory!
We recently had the honor of framing an NFL referee's Superbowl jersey and memorabilia. Mr. Dave Wyant of Crozet was a referee for Superbowl 48. So, to celebrate that accomplishment, his family wanted to display these artifacts in a way all could see rather than tucked away in a closet.
We put our heads together and designed a way to both preserve the jersey and display it in a dynamic presentation. A black custom made shadowbox frame was constructed to be extra deep to accommodate the hat that was to be mounted with the jersey. There were insignia on the sides of the cap that needed to be visible.
We arranged all the elements and set about a construction for a mount. A filler form was constructed to sew the jersey on to and the arms were filled out at well as we wanted to have the shirt holding out an arm to display the small flag with a sandbag sewn to it. The identification lanyards were draped around the neck of the jersey and sewn in place. Supports needed to be sewn to the backs of the arms to hold them up. If they were not in place, the armature would sag.
The coins were a bit of a challenge as they were heavy and slick. We also wanted to give them a special place in the piece as by themselves they seemed very diminutive against the expanse of the jersey. We framed them within small charcoal colored frames and this not only helped bring a focus to the coins themselves but also balanced the empty mount space flanking the hat.
We enjoyed working on this project and are told Mr. Wyant is very happy with the way it turned out. We are impressed with his accomplishments and congratulate him on his achievements!
What a unique opportunity to referee for the NFL!
Courtesy of one of our fabulous framers - Lana Lambert
My mother did these wonderful little needlepoint vegetable samplers when she was in college. I remember them from childhood and when I recently inherited them I realized that the framing did not do it justice. Even though they were kits that had the yarn colors already picked out and instructions on how to assemble, I marveled at how delicately she wove the fibers together and meticulously she put it all together. To me, it was like magic! Looking at the tattered old frames they were in and some to the open air, it seemed disrespectful to let something I loved so much languish to the elements of time.
I picked out these beautifully carved wooden frames from Nurre Caxton, a moulding company we carry at Creative Framing. They are from a line called Palladio. They come in silver and gold as well but I liked the natural wood because we have a log cabin and it also reinforces the Roycroftian Arts & Crafts style I like so much.
When I removed the old framing, the original mounts were in bad condition. They consisted mostly of cardboard, masking tape, and even some glue. We carefully extricated the delicate embroidery and stretched it over an acid free board. Next, a soft cream colored mat was chosen to compliment the original fabrics and a delicate green line was traced around the mat opening to both accentuate the needlepoint work and to help break up the monotony of the mat color. Lastly, mat risers were added to create depth of space. The particular molding we used is a shadowbox so we were able to take the opportunity to create a deep display and allow the three dimensional needlework to retain its shape rather than be crushed under glass. The whole was sealed against mold and bugs and put under Conservation Clear glass to protect the colors that fabric arts are so notorious for losing.
Now, my family heirlooms can be displayed in a place of honor for all to see and I don't have to worry about fading, bugs, or moisture and the materials that they are resting in are acid free! I hope the generations to come will love them as much as I do!
Recently, we had the honor of being commissioned to preserve a set of medals for a customer. This job was particularly challenging because the customer wanted a beautiful presentation for the medals that would be archival, but he also needed access to them because he sometimes took the wings out to wear them. The older set of medals had been passed down through the family and they were beginning to deteriorate from age. The beautiful silk material used to hold the ribbons was starting to fray and release due to the weight of the medals themselves.
We decided to mount the medals onto a clean linen backing and sew them down in a way that would present them very nicely while at the same time taking the weight of the medals off of the ribbon material to keep them from further damage. The wings were given linen loops to nest into so that they could be removed when the customer would like to take them out.
In order to be able to take them out, we had to custom design the backing to swing open like a door!
Turn buttons and brass hinges complete the piece. A small brass hanger with a black satin ribbon acts as a pull knob without the protrusion of a traditional knob. It stays flat when the piece is hung on the wall via the sawtooth hanger. Of course, we had it installed with UV protecting glass so that the fabric on the medals could be further protected from fading.
It was a challenging project that was so gratifying to see come together. Those medals now have a home that displays them safely for all to see instead of being hidden away in a drawer!
As wedding season approaches and invitations arrive in the mail, we all get giddy with anticipation of a another blissful union. Anne was recently invited to a spring soiree in Lynchburg. To mark the occasion uniquely, she decided to frame her invitation as a gift to the newlyweds.
To mirror the thought and care that the bride and groom took to set the mood of their wedding with their invitation design, Anne set out to hand paint a double-glass creation that was one-of-a-kind.
Here's a peek into the process of the construction of this invitation's new home:
In a double-glass frame, the picture is mounted to a back glass and covered by another piece of glass on the front side to make the artwork appear to float on the wall within its frame. Anne chose conservation grade glass to protect the artwork from fading.
The area that the invitation would occupy was taped off and the the border of the back glass was painted to extend the invitation's colors out to the frame. The fireflies that glow on the invitation were included in the painted border on the glass painting.
When the paint dried, the masking tape was removed to leave a crisp edge where the invitation would be attached.
On the back, the painting shows through, continuing the image that is on the back of the invitation.
The frame was chosen to mimic the top of the mason jar.
When finished, the invitation floats in a sanctuary between the two pieces of glass. This look casts a shadow onto the wall behind it and creates a unique depth and dimension.
When we receive invitations in the mail, we get the sense of the kind of event that the bride and groom envision as their perfect day. A unique frame design allows you to show them that you understand their style. Framing their invitation in their style preserves that memory for years to come.
Can you tell she had so much fun making this?!
Creative Framing & The Art Box
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